Toby Philpott was one of the puppeteers who worked inside of Jabba the Hutt back in 1982 for a few weeks. His job was to control some of Jabba’s head, left arm, and tongue. Mike Edmonds, David Barclay, and John Coppinger (who was outside the costume, remotely controlling the eyes) rounded out the gang whose job was to make the audience believe that this slug of a puppet was real. The eclectic group pulled off the task with great success. Toby started out in the 1970’s as a street performer, fringe theater performer, and circus performer doing everything from acrobatics to fire eating to juggling to magic to unicycling and more. He moved on to film work through his contacts in the entertainment industry and worked on such great films as The Dark Crystal, The Company of Wolves, Labyrinth, Little Shop of Horrors, Who Framed Roger Rabbit?, and of course Return of the Jedi. He currently lives a peaceful life in England, working for his local library in the IT department and attends the occasional Sci-Fi convention as a guest when time permits, signing autographs and meeting numerous fans of the films he’s worked on. (Original posting: July 29, 2003)
Tag: carrie fisher
Interview with Jon Bradley Snyder
(Original posting: February 09, 2001)
Jon Bradley Snyder grew up in Spokane, Washington. He attended The Evergreen State College in Olympia, Washington in the late 80’s where he was very involved in the music scene. “I did some intern work the music labels K Records and Sub-Pop before I returned to Spokane and was a PA on the MGM movie Benny and Joon, which filmed there on location in 1992,” he stated. He moved to San Francisco in late 1992 to work in publishing and helped form co-op small press imprint called “High Drive Publications” which was the imprint under which his first Star Wars publication Report from the Star Wars Generation was published. During this time he worked at a variety of jobs including BBDO advertising agency, Maverick Magazine Consulting, and wrote for various magazines including Rocktober, The Stranger, and Topps’ Batman Forever movie magazine. He also edited the first issues of Megan Kelso’s Girl Hero comic book. In 1995, he created the imprint Dodecaphonic Books for the express purpose of publishing a collection of Nickelodeon cartoonist Sam Henderson’s work entitled Humor Can Be Funny. In 1996 he moved to Denver, Colorado to work full time for Fantastic Media after working for them offsite for two years. “In May of that year I went to Tunisia with David West Reynolds on a Star Wars location trip that was the grand prize of the first Decipher Star Wars CCG tournament. I launched Star Wars Kids magazine for Scholastic in 1998. I then co-produced the Star Wars Celebration in 1999, and I almost forgot to mention that I was a contributing editor for Sci Fi Universe for 5 years,” said Snyder. Currently, he’s is working off-site for Fantastic Media in North Carolina where his partner, Heidi, is teaching art. They live with their 15-month-old son named Jackson. Jon took some time out to chat with old T-bone about life before and after The Insider.
(Original posting: February 09, 2001)
Episode VII: The Original Dream Team Is (Probably) Returning
In an article on Businessweek.com, George Lucas dropped the closest thing to confirmation that Mark Hamill, Harrison Ford, and Carrie Fisher will reprise their roles as Luke, Han, and Leia in Star Wars: Episode VII.
Here’s an excerpt:
Asked whether members of the original Star Wars cast will appear in Episode VII and if he called them before the deal closed to keep them informed, Lucas says, “We had already signed Mark and Carrie and Harrison—or we were pretty much in final stages of negotiation. So I called them to say, ‘Look, this is what’s going on.’ ” He pauses. “Maybe I’m not supposed to say that. I think they want to announce that with some big whoop-de-do, but we were negotiating with them.” Then he adds: “I won’t say whether the negotiations were successful or not.”
The rest of the article details the selling of Lucasfilm to Disney. It contains a lot of history you may already know, but it’s worth a read if anything to see how things operate behind closed doors at big companies.
It also talks about how Lucas was on the fence about whether or not to hand over his outlines for a sequel trilogy – outlines he has claimed many times never existed.
At first Lucas wouldn’t even turn over his rough sketches of the next three Star Wars films. When Disney executives asked to see them, he assured them they would be great and said they should just trust him. “Ultimately you have to say, ‘Look, I know what I’m doing. Buying my stories is part of what the deal is.’ I’ve worked at this for 40 years, and I’ve been pretty successful,” Lucas says. “I mean, I could have said, ‘Fine, well, I’ll just sell the company to somebody else.’ ”
Once Lucas got assurances from Disney in writing about the broad outlines of the deal, he agreed to turn over the treatments—but insisted they could only be read by Iger, Horn, and Kevin Mayer, Disney’s executive vice president for corporate strategy. “We promised,” says Iger. “We had to sign an agreement.”
When Iger finally got a look at the treatments, he was elated. “We thought from a storytelling perspective they had a lot of potential,” he says.
So, I’ll be the first to say it: Here’s where the fun begins!