{"id":1666,"date":"2011-10-04T10:09:05","date_gmt":"2011-10-04T15:09:05","guid":{"rendered":"http:\/\/starwarz.com\/tbone\/?p=1666"},"modified":"2015-04-07T13:20:26","modified_gmt":"2015-04-07T18:20:26","slug":"return-to-tatooine","status":"publish","type":"post","link":"https:\/\/starwarz.com\/tbone\/return-to-tatooine\/","title":{"rendered":"Return To Tatooine"},"content":{"rendered":"

Throughout the saga, the Star Wars<\/em> films frequently bring us back to the first major planet we encountered a long, long time ago: Tatooine. In Episode II<\/em>, Anakin travels to Tatooine after being haunted by disturbing nightmares of his mother. While he’s there, Anakin will not only find his mother but learn some more about his family, leaving him a changed man. The anger, fear, and aggression that leads to his eventual downfall will take root here, setting the scene for the tragic events of Episode III<\/em>.<\/p>\n

<\/p>\n

 <\/p>\n

FAMILY REUNION<\/strong><\/p>\n

\"\"<\/a>Owen Lars knew he had a stepbrother out there somewhere and that this mysterious stepbrother might one day return Tatooine in search of his mother. Owen probably thought this little family reunion would occur under better circumstances.<\/p>\n

There’s plenty of photo evidence of some deleted footage involving the Lars homestead that we first saw in Episode IV<\/em>. In some of the photos, Owen is standing during the scene where Anakin learns of Shmi’s situation. In the finished film, Owen never gets up from his chair.<\/p>\n

While I can’t say for sure, I believe the photo of Padm\u00e9 shot against bluescreen is from the same scene. In the book Mythmaking<\/a><\/em>, this photo is found in the chapter dealing with pick-up shooting, long after principal photography wrapped. My educated guess is that someone decided another shot of Padm\u00e9 in the Lars dining area was required; probably the part where she sits in the chair, since there’s a blue chair under her.<\/p>\n

IMAGES<\/strong><\/p>\n

\"\"<\/a>\"\"<\/a>\"\"<\/a><\/p>\n

 <\/p>\n

\n

 <\/p>\n

BERU WHITESUN<\/strong><\/p>\n

\"\"<\/a>For those keeping score, Beru Whitesun ended up with only one line of dialogue spoken on screen: “Hello.”<\/em> She didn’t have many lines to begin with, even in the finished script, but it seems that most of them were edited out for whatever reason. In one of these deleted scenes, Beru has a short conversation with Padm\u00e9 while helping her out in the kitchen. It’s nothing more than small talk with a little female bonding thrown in, but fun to read. Here’s the excerpt from an early draft of Episode II<\/em>:<\/p>\n

INT TATOOINE MOISTURE FARM, KITCHEN – MORNING<\/strong>
\nPadm\u00e9 prepares some food for Anakin. Beru helps her.<\/em><\/p>\n

BERU<\/strong>
\nWhat’s it like there?<\/p>\n

PADM\u00c9<\/strong>
\nI’m sorry?<\/p>\n

BERU<\/strong>
\nOn Naboo\u2026 What’s it like?<\/p>\n

Padm\u00e9 is completely preoccupied with her concern for Anakin, but she does her best to reply.<\/em><\/p>\n

PADM\u00c9<\/strong>
\nOh – it’s\u2026 very green. With lots of water. And trees.
\nNot like here at all.<\/p>\n

She takes out a tray and starts to put the food on it.<\/em><\/p>\n

BERU<\/strong>
\nI think I like it here better.<\/p>\n

PADM\u00c9<\/strong>
\nMaybe you’ll come and see it one day.<\/p>\n

BERU<\/strong>
\nI don’t think so. I don’t like to travel.<\/p>\n

They finish preparing the tray.<\/em><\/p>\n

PADM\u00c9<\/strong>
\n(smiles)
\nThanks, Beru.<\/p>\n

She goes out.<\/em><\/p><\/blockquote>\n

There are two other small shots that involve Beru mentioned in the second draft. They act as bookends to yet another deleted scene where C-3PO is given his “coverings” and\u00a0 is released into Padm\u00e9’s care. The scene starts with Beru heading outside to draw water from one of the moisture vaporators. Then, the scene with Padm\u00e9, C-3PO, and Owen Lars takes place, ending with the voice-over of Beru from outside. She has apparently spotted Anakin returning to the homestead after the search for his mother.<\/p>\n

The scene starts with:<\/p>\n

EXT. TATOOINE, DESERT, HOMESTEAD MOISTURE FARM – DAY<\/strong>
\nAll is quiet. BERU comes out of the house. She goes to a moisture line and starts to draw water.<\/em><\/p><\/blockquote>\n

Then the C-3PO scene plays out and ends wtih:<\/p>\n

Then suddenly, from outside:<\/em><\/p>\n

BERU<\/strong>
\n(V.O.)
\nCome topside, everybody!
\nHe’s back! He’s back!<\/p>\n<\/blockquote>\n

IMAGES<\/strong><\/p>\n

\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a><\/p>\n

 <\/p>\n

\n

 <\/p>\n

ANAKIN’S SEARCH<\/strong><\/p>\n

\"\"<\/a>When Anakin learns that his mother was taken away by sandpeople, he takes Owen’s speeder bike and heads off into the dunes to try and find her. He doesn’t even ask permission. Quite rude for a would-be Jedi Knight, but not for a would-be Sith, I suppose. The originally scripted truth is, however, that Owen Lars originally offered his speeder to Anakin. We just never saw it on screen. Here’s the relevant excerpt from the 2nd draft of Episode II<\/em>:<\/p>\n

EXT. TATOOINE, HOMESTEAD, MOISTURE FARM – LATE DAY<\/strong>
\nANAKIN stands looking across the desert. PADM\u00c9 comes running out of the homestead after him, followed by OWEN. ANAKIN turns to PADM\u00c9.<\/em><\/p>\n

ANAKIN<\/strong>
\nYou are going to have to stay here.
\nThese are good people, Padm\u00e9. You’ll be safe.<\/p>\n

OWEN<\/strong>
\nTake my speeder bike.<\/p>\n

PADM\u00c9<\/strong>
\nAnakin…<\/p>\n

PADM\u00c9 hugs him. ANAKIN walks over to Owen’s speeder bike, which is standing close by.<\/em><\/p>\n

ANAKIN<\/strong>
\nI trust you’ll watch over her, Owen.<\/p>\n

OWEN<\/strong>
\nDon’t worry.<\/p>\n<\/blockquote>\n

You’ll notice that in the finished film, Owen is peculiarly missing from this scene altogether. My good friend Greg Rossiter<\/a> once attended a seminar where a short clip of the originally filmed scene was shown. He told me that the scene was indeed shot with Owen there but they digitally removed him during editing. Here’s what Greg had to say:<\/p>\n

The shot of Padm\u00e9 watching as Anakin speeds off originally had Owen in it too, but he was split-screened out of the image. When I saw it, it was silent and it was a master shot without close-ups, so I couldn’t tell if Owen was saying anything at that point. It was without effects too – kind of funny at the end to see Anakin get on the bike and just sit there going nowhere. <\/em><\/p><\/blockquote>\n

That could explain the presence of a long “shadow” in this scene that everyone thought was just a crafty addition. Was it just to cover up some of the editing?<\/p>\n

According to the finished script, after Anakin left the homestead, he stopped at a Jawa campground to ask for directions or information about the Tusken Raiders. Then while following the trail, he was supposed to come across a gruesome scene where he sees some dead farmers, obviously mauled by the vile Sandpeople.<\/p>\n

Here’s the excerpt from The Art of Attack of the Clones<\/a><\/em>:<\/p>\n

106 EXT. TATOOINE, DUNE SEA, CAMPFIRE – TWILIGHT<\/strong>
\n
\nAnakin rides over a large dune toward a small flickering light in the distance.<\/em><\/p>\n

He rides up and stops the bike in front of a campfire. There are bodies of three dead farmers lying beside the campfire. Two Eopies are tethered nearby, along with a burned and smoking speeder.<\/em><\/p><\/blockquote>\n

There’s photographic evidence of these shots in other media like the comics and other images posted online, like ones of the as-then-unseen female and child Tuskens.<\/p>\n

\"\"<\/a>\"\"<\/a><\/p>\n

 <\/p>\n

\n

 <\/p>\n

C-3PO AND HIS COVERINGS<\/strong><\/p>\n

\"\"<\/a>The story of how C-3PO finally got his outer coverings would have been quite a tale to tell, had it actually been told. In Episode I<\/em>, the quirky protocol droid was very “naked” (and embarrassed) the whole film. For Episode II<\/em>, it was originally decided that the droid would remain that way for part of the film. In the script, when Anakin and Padm\u00e9 arrive on Tatooine, C-3PO is described as “still lacking an outer covering.”\u00a0 <\/em>In some of the Episode II<\/em> documentary footage, Anthony Daniels can be seen operating the cumbersome C-3PO puppet, proving that the scenes were indeed filmed this way. Later on, it was decided that Shmi Skywalker took it upon herself to complete C-3PO during the ten years that Anakin was away. Therefore, in the finished film when Anakin and Padm\u00e9 show up, they find a completely covered C-3PO greeting them in the desert.<\/p>\n

According to the second draft of the script, when Anakin took off to find his mother, he left Padm\u00e9 behind with the Lars family without much to do. During that time, Padm\u00e9 got re-acquainted with C-3PO in the garage and, after spotting a box of old coverings, decided to dress him up. Owen then shows up and “releases” C-3PO into Padm\u00e9’s care, claiming Shmi would have wanted it that way. This subplot consisted of two scenes.<\/p>\n

In the published script, the subplot (combined into one scene) was rewritten without mention Owen or the coverings (since he’d be already dressed in this version), but the scene still ended up being deleted, despite the re-write. This seemed a bit strange to me because C-3PO leaves Tatooine without any real explanation. One could assume that the droid was always Anakin’s to begin with, but in the end it was deemed not necessary to explain all this on screen.<\/p>\n

Here’s the first excerpt from the 2nd draft of Episode II<\/em>:<\/p>\n

EXT. TATOOINE, DESERT, HOMESTEAD (FULL MOON) – NIGHT<\/strong>
\nThe lights of the vaporators blink in the night sky. Somewhere close by, a night animal HOWLS.<\/em><\/p>\n

EXT. TATOOINE, HOMESTEAD, COURTYARD (FULL MOON) – NIGHT<\/strong>
\nPADM\u00c9 is pacing the courtyard restlessly. She stops, listening to the animal HOWLING nearby. She shivers slightly, then turns and goes into the garage at the side of the courtyard.<\/em><\/p>\n

INT. TATOOINE, HOMESTEAD – GARAGE (FULL MOON) – NIGHT<\/strong>
\nPADM\u00c9 stands looking at a speeder parked in the garage. Short silence. Then:<\/em><\/p>\n

C-3PO<\/strong>
\nPlease don’t leave us, Miss Padm\u00e9.
\nThese people need your help.<\/p>\n

THREEPIO is parked in a corner.<\/em><\/p>\n

PADM\u00c9<\/strong>
\nI’m not leaving, Threepio. I just can’t sleep.<\/p>\n

C-3PO<\/strong>
\nThat’s something I cannot relate to.
\nAs a Protocol Droid, I’m either active or inactive.
\nThere’s no in-between.<\/p>\n

PADM\u00c9<\/strong>
\nI guess you’re lucky.<\/p>\n

C-3PO<\/strong>
\nDo you really think so..? I suppose I shouldn’t expect…<\/p>\n

PADM\u00c9<\/strong>
\nYou’re not happy here?<\/p>\n

C-3PO<\/strong>
\nOh, I’m not unhappy… and my masters here are so kind
\nI wouldn’t wish to trouble them, it’s just… being like this…
\nwell, it’s embarrassing.<\/p>\n

PADM\u00c9<\/strong>
\nBeing like what?<\/p>\n

C-3PO<\/strong>
\nNaked. If you pardon the expression. You see, when Master Annie
\nmade me, he never quite found the time to give me any outer covering.
\nIt’s so humiliating. How would you like it if you had to go around
\nwith all your circuits showing?<\/p>\n

PADM\u00c9<\/strong>
\nI guess I wouldn’t like it at all.<\/p>\n

C-3PO<\/strong>
\nOf course you wouldn’t. Nobody would. It’s simply not protocol.<\/p>\n

PADM\u00c9 looks thoughtfully at a pile of spare parts and bits of metal and tools.<\/em><\/p>\n

PADM\u00c9<\/strong>
\nMaybe we can do something about it.<\/p>\n

C-3PO<\/strong>
\nI don’t think so. Only Master Annie…<\/p>\n

PADM\u00c9<\/strong>
\nWhy not? They seem to have a box of old coverings here.<\/p>\n

C-3PO<\/strong>
\nOh? How observant of you, Miss Padm\u00e9. Of course,
\nI’m just not mechanically minded… if you see what I mean.<\/p>\n

PADM\u00c9 picks up a piece of metal and holds it against him.<\/em><\/p>\n

PADM\u00c9<\/strong>
\nLet’s see, if we put this… here…<\/p>\n

C-3PO<\/strong>
\nOoooh! That tickles.<\/p>\n

PADM\u00c9<\/strong>
\nYou’ll have to be quiet,
\nThreepio. Hold still, please.<\/p>\n<\/blockquote>\n

 <\/p>\n

Here’s the second excerpt from the 2nd draft of Episode II<\/em>:<\/p>\n

INT. TATOOINE, HOMESTEAD, GARAGE – DAY<\/strong>
\nPADM\u00c9 fixes the last piece of covering onto THREEPIO.<\/em><\/p>\n

PADM\u00c9<\/strong>
\nThere!<\/p>\n

PADM\u00c9 stands back. OWEN is with her. They look at THREEPIO. He isn’t the golden figure we know because PADM\u00c9 has had to use whatever stuff she could find in the garage. He is multi-colored in several textures, but he is complete.<\/em><\/p>\n

C-3PO<\/strong>
\nUm. How do I look?<\/p>\n

OWEN<\/strong>
\nGreat! You look perfect.<\/p>\n

C-3PO<\/strong>
\nPerfect? Oh, Miss Padm\u00e9, I’m so happy!
\n(extending his hand to shake hers)
\nOh, pardon me.<\/p>\n

THREEPIO drops his hand and bows formally.<\/em><\/p>\n

C-3PO<\/strong>
\n(continuing)
\nThank you.<\/p>\n

He forgets formality and hugs her. PADM\u00c9 hugs him back, laughing.<\/em><\/p>\n

C-3PO<\/strong>
\n(continuing)
\nThank you! Thank you! Thank you!<\/p>\n

OWEN<\/strong>
\n(grinning) Well, Padm\u00e9, I think he should be yours from now on…
\nI know that is what my Mom would want.<\/p>\n

C-3PO<\/strong>
\nOh, my!<\/p>\n

Then suddenly, from outside:<\/em><\/p>\n

BERU<\/strong> (V.O.)
\nCome topside, everybody!
\nHe’s back! He’s back!<\/p>\n

\n<\/blockquote>\n

 <\/p>\n

Here’s the excerpt from the published script in The Art of Attack of the Clones<\/a><\/em>:<\/p>\n

107 EXT. TATOOINE, DESERT, HOMESTEAD (FULL MOON) – NIGHT<\/strong>
\nThe lights of the vaporators blink in the night sky. Somewhere close by, a night animal howls.<\/em><\/p>\n

108 EXT. TATOOINE, HOMESTEAD, COURTYARD (FULL MOON) – NIGHT<\/strong>
\nPadm\u00e9 is pacing the courtyard restlessly. She stops, listening to the animal howling nearby. She shivers slightly, then turns and goes into the garage at the side of the courtyard.<\/em><\/p>\n

109 INT. TATOOINE, HOMESTEAD, GARAGE (FULL MOON) – NIGHT<\/strong>
\nPadm\u00e9 enters the garage where C-3PO sits working.<\/em><\/p>\n

C-3PO<\/strong>
\nHello, Miss Padm\u00e9.<\/p>\n

PADM\u00c9<\/strong>
\nHello, Threepio.<\/p>\n

C-3PO<\/strong>
\nYou can’t sleep?<\/p>\n

PADM\u00c9<\/strong>
\nNo. I have too many things on my mind, I guess.<\/p>\n

C-3PO<\/strong>
\nAre you worried about your work in the Senate?<\/p>\n

PADM\u00c9<\/strong>
\nNo. I’m just concerned about Anakin.
\nI said things\u2026 I’m afraid I may have hurt him.
\nI don’t know. Maybe I only hurt myself.
\nFor the first time in my life, I’m confused?<\/p>\n

C-3PO<\/strong>
\nI’m not sure it will make you feel any
\nbetter Miss Padm\u00e9, but I don’t think
\nthere’s been a time in my life when I
\nhaven’t been confused.<\/p>\n

PADM\u00c9<\/strong>
\nI want him to know I care about him.
\nI do care about him?<\/p>\n

C-3PO<\/strong>
\nDon’t worry about Master Annie.
\nHe can take care of himself.
\nEven in this awful place.<\/p>\n<\/blockquote>\n

 <\/p>\n

My friend Greg Rossiter<\/a> got the chance to ask editor Ben Burtt about why this scene was dropped from the film. Here’s what he had to say:<\/p>\n

I got to see some of the footage of Owen and Padm\u00e9 with C-3PO as he looks with enthusiasm over his new coverings in the garage. I talked to Ben Burtt personally and he said that this scene was changed because the new coverings stuff was basically comedic material happening during Anakin’s tense search for his mom and it didn’t seem right.<\/em><\/p><\/blockquote>\n

 <\/p>\n

IMAGES<\/strong>
\n\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a><\/p>\n

 <\/p>\n

\n

 <\/p>\n

“WHY DO I HATE THEM?”<\/strong><\/p>\n

\"\"<\/a>If you compare the (non-digital) theatrical version of Episode II<\/em> with the DVD version\u00a0 you’ll notice a few differences. This is because when Episode\u00a0 II<\/em> was released there were two<\/em> versions in theaters (not counting the IMAX version). There was the regular print that most people saw but there was also a fully digital print\u00a0 made available to theaters with digital projection systems. This digital print was used as the master for the DVD version so most of the changes remained intact. They did, however, make a few additional changes just for the DVD.<\/p>\n

One of those minor changes happens during Anakin’s “meltdown” scene on Tatooine after he slaughtered the Sandpeople who took his mother. He breaks down and confesses what he did to a sympathetic (but slightly freaked out) Padm\u00e9 . The DVD (but not the digital version used in theaters) includes a couple of extra lines of dialogue. The published version of the script located in The Art of Attack of the Clones<\/a><\/em> reveals a few more. Here’s the excerpt:<\/p>\n

\n

ANAKIN<\/strong>
\n(continuing)
\nNot just the men…the women and children too.
\nThey’re like animals, and I slaughtered them like animals…
\nI hate them!<\/p>\n

There is a silence for a moment, then Anakin breaks down, sobbing. Padm\u00e9 takes him into her arms.<\/em><\/p>\n

ANAKIN<\/strong>
\n(continuing)
\nWhy do I hate them?
\nI didn’t\u2026 I couldn’t\u2026 I couldn’t control myself.
\nI\u2026 I don’t want to hate them\u2026 but I just can’t forgive them.<\/p>\n

PADM\u00c9<\/strong>
\nTo be angry is to be human.<\/p>\n

ANAKIN<\/strong>
\nTo control your anger is to be a Jedi.<\/p>\n

PADM\u00c9<\/strong>
\nSsshhh\u2026 you’re human.<\/p>\n

ANAKIN<\/strong>
\nNo, I’m a Jedi. I know I’m better than this.
\nI’m sorry, I’m so sorry!<\/p>\n

PADM\u00c9<\/strong>
\nYou’re like everyone else\u2026<\/p>\n

Padm\u00e9 rocks him, and Anakin weeps.<\/em><\/p><\/blockquote>\n

AUDIO (from the DVD Version):<\/strong><\/p>\nhttps:\/\/starwarz.com\/tbone\/wp-content\/uploads\/extended_confession.mp3<\/a><\/audio>\n

IMAGES<\/strong><\/p>\n

\"\"<\/a>\"\"<\/a>\"\"<\/a><\/p>\n

 <\/p>\n

\n

 <\/p>\n

LEAVING TATOOINE<\/strong><\/p>\n

\"\"<\/a>While on Tatooine, Anakin receives a troubling hologram message from Obi-Wan which prompts his decision to leave and head to Geonosis. In the finished film, Anakin and Padm\u00e9 view this hologram while sitting in the cockpit of the starship. According to the second draft of the script, however, this hologram was viewed inside the Lars garage and projected by R2-D2. After viewing the projected message, everyone went to the Naboo starship to talk to Mace Windu via hologram before departing. As the ship takes off, the Lars family waves goodbye from a safe distance.<\/p>\n

Here’s the excerpt from the second draft of Episode II<\/em>:<\/p>\n

INT. TATOOINE, HOMESTEAD, GARAGE – DAY<\/strong>
\nA rough hologram of OBI-WAN is projected onto the garage by ARTOO. ANAKIN, PADM\u00c9 and THREEPIO watch the flickering image.<\/em><\/p>\n

OBI-WAN<\/strong>
\n…Alliance have pledged their armies to Count Dooku and are forming an…
\nWait!… ah… attack… I don’t… make it… aaaggghhh!<\/p>\n

The hologram cuts off. ANAKIN jumps up, agitated.<\/em><\/p>\n

ANAKIN<\/strong>
\nI’m going after him!<\/p>\n

PADM\u00c9<\/strong>
\nI thought the first thing he said was to
\nretransmit his message to Coruscant.<\/p>\n

ANAKIN<\/strong>
\nYeah, you’re right, you’re right.<\/p>\n

EXT. TATOOINE, HOMESTEAD, MOISTURE FARM – LATE DAY<\/strong>
\nANAKIN, PADM\u00c9, ARTOO and THREEPIO leave the homestead, waving to CLIEGG, OWEN and BERU as they go into the desert.<\/em><\/p><\/blockquote>\n

IMAGES<\/strong><\/p>\n

\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Throughout the saga, the Star Wars films frequently bring us back to the first major planet we encountered a long, long time ago: Tatooine. In Episode II, Anakin travels to Tatooine after being haunted by disturbing nightmares of his mother. While he’s there, Anakin will not only find his mother but learn some more about […]<\/p>\n","protected":false},"author":1001004,"featured_media":3419,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26,4],"tags":[62,150,265,263,264,74,266,28,29,96,42,149,271,234,268,35,269,45,262,261,133,65,267,270,71,189,57],"class_list":["post-1666","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cutscenes-aotc","category-cutscenes","tag-anakin-skywalker","tag-attack-of-the-clones","tag-beru","tag-beru-lars","tag-beru-whitesun","tag-c-3po","tag-cliegg-lars","tag-cut","tag-deleted","tag-desert","tag-droid","tag-episode-ii","tag-garage","tag-hologram","tag-homestead","tag-jedi","tag-moisture-vaporator","tag-obi-wan-kenobi","tag-owen","tag-owen-lars","tag-padme","tag-r2-d2","tag-sandpeople","tag-shmi","tag-shmi-skywalker","tag-speeder","tag-tatooine"],"_links":{"self":[{"href":"https:\/\/starwarz.com\/tbone\/wp-json\/wp\/v2\/posts\/1666","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/starwarz.com\/tbone\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/starwarz.com\/tbone\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/starwarz.com\/tbone\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/starwarz.com\/tbone\/wp-json\/wp\/v2\/comments?post=1666"}],"version-history":[{"count":25,"href":"https:\/\/starwarz.com\/tbone\/wp-json\/wp\/v2\/posts\/1666\/revisions"}],"predecessor-version":[{"id":3473,"href":"https:\/\/starwarz.com\/tbone\/wp-json\/wp\/v2\/posts\/1666\/revisions\/3473"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/starwarz.com\/tbone\/wp-json\/wp\/v2\/media\/3419"}],"wp:attachment":[{"href":"https:\/\/starwarz.com\/tbone\/wp-json\/wp\/v2\/media?parent=1666"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/starwarz.com\/tbone\/wp-json\/wp\/v2\/categories?post=1666"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/starwarz.com\/tbone\/wp-json\/wp\/v2\/tags?post=1666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}