Rescue and Transformation

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It’s true that Anakin Skywalker became Darth Vader before he was badly disfigured on Mustafar, but most people associate Vader with the black suit. That final transformation took place after Palpatine’s search and rescue mission was a success. Vader was rebuilt, and the rest was cinematic history. The shots discussed here are not all full scenes loaded with dialogue, but mostly extra bits from or changes to the existing shots.

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Jedi Master Yoda

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There’s no doubt that Yoda was one of the greatest Jedi Masters of all time. A lead Council member, instructor and a fierce yet reluctant fighter, he went toe to toe with the most formidable of opponents. Unfortunately, Episode III saw him retreating into exile to bide his time until an opportunity arose to set things right. Let’s take a look at some of Yoda’s deleted shots and scenes.

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Meanwhile, Back on Coruscant…

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Episode III turned out to be one of the most galaxy-spanning films of the series, mostly due to the fact that the Clone Wars were still happening. It became necessary to show Jedi and other characters at war all over. Our main characters also traveled heavily. Meanwhile, the puppet master and phantom menace himself – the soon to be Emperor Palpatine – was cementing his place of power on Coruscant, the heart of the galaxy. Here are a few more scenes we didn’t get to see concerning Coruscant.

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Utapau

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The history of the planet Utapau goes all the way back to George Lucas’ original drafts of the first Star Wars film, way back in the early 1970’s. Fans like myself were very pleased to see the planet finally make it into a film after all those years. It went through many phases of development but ended up as a green and swampy planet where some important events take place.

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To Mustafar and Back

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Much like Tatooine, Mustafar was a seemingly insignificant planet, yet would be the location of galaxy-defining events. Drenched in deep reds and molten imagery, it provided the rich and hell-like backdrop needed for Anakin’s final fall into darkness. Here are some of the deleted scenes that revolve around this crimson planet.

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The Politics of Rebellion

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One of the subplots that was just about entirely removed from the final film has to do with the beginnings of what would later be known as The Rebellion (AKA The Rebel Alliance). The seeds of that organization started by Mon Mothma, Bail Organa, Padmé Amidala, and a secret group of other senators were originally supposed to be planted in this film. Three of these scenes can be found on the Episode III DVD. To see them all, all you have to do is pop it in and check them out.

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Rescuing Palpatine

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You have to hand it to Palpatine. Organizing his own capture and rescue to reinforce his cover as a phantom menace to the galaxy was a stroke of pure evil genius. Poor Dooku probably thought so too until he had two lightsabers criss-crossing his neckline.  I’m not sure that even Palpatine foresaw what a  troublesome rescue it would be, however. What we saw in the finished film was a trimmed down version. Let’s take a look at some of the deleted/altered bits from the opening space battle to the big crash landing.

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Review/Commentary: Episode III: Revenge of the Sith

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It’s what long time Star Wars fans like myself have looked forward to since the 1980s. It’s what younger fans have looked forward to since experiencing the first two prequels. It’s the culmination of nearly 30 years of hard work and dedication by George Lucas and his various crews and companies. It’s the end of an era and the bittersweet farewell to Star Wars on the silver screen (as far as we know). It is Star Wars Episode III: Revenge of the Sith and it is good. In this review/commentary I will tell you my thoughts on the film but I will also address some of the common concerns about Episode III based on reviews I’ve seen and fan gripes I’ve heard. Some are understandable but there are some with which I disagree.

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Review: Revenge of the Sith Novelization

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It’s become clear that Star Wars has almost become a genre unto itself. There’s drama, romance, sci-fi, horror, fantasy, non-fiction—and then there’s Star Wars. It’s hard to just drop it under Sci-Fi because it’s more of a dramatic space opera than a futuristic fantasy book. That said, the Star Wars brand demands its own classification and one has to embrace a certain stylistic approach to write within that universe. This approach was created by George Lucas but ultimately expanded to include outside influences. All these styles combined make up this Star Wars genre and Matthew Stover’s adaptation of Revenge of the Sith quite handsomely takes them all and puts forth a cohesive and compelling novel which bridges many gaps in the saga’s timelines.

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