Shadows of the Empire

Shadows of the Empire: The Movie-Without-the-Movie Extravaganza of 1996

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In 2015, I conducted a series of interviews with some of the people who worked on the Shadows of the Empire project concocted by Lucasfilm back in 1996. I loved the project, warts and all, from the moment it was released so it was a joy to conduct these interviews and gain multiple inside perspectives on what it was like to create such an expansive project. The essay was written for the Expanded Universe anthology called A More Civilized Age: Exploring the Star Wars Expanded Universe (2016) from my friends Rich Handley and Joe Berenato. I’ve decided to reprint the essay here on my site because I feel it sheds some more light on the nearly 30-year-old project and ended up revealing a few facts that were previously unknown to me about the inner workings of Lucasfilm at the time.

I’ve slightly edited this essay for the Internet by removing footnotes and changing them to links, and other small things like that. All quotes, unless otherwise indicated, are from my interviews. For more fun, head over to Facebook and like my Shadows of the Empire fan page.

I hope you enjoy the essay.

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Interview with Randy Martinez
(Original posting: May 22, 2004)

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I had the pleasure of meeting Randy Martinez, a wonderfully talented artist from Hollywood, California, a while before Episode I was released, back in the days when the Internet was still young and adventurous. Randy’s come a long way since the old days of Star Wars fandom, creating pieces for popular magazines and newspapers like the Los Angeles Times, plus official pieces for Lucasfil and other companies. Not only has he done work for the now defunct Star Wars Kids magazine, but you’ve seen his his cartoons gracing the pages of the Star Wars Insider. I figured it was time for a proper interview.  (Original posting: May 22, 2004)

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Interview with Joe Corroney
(Original posting: May 11, 2004)

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Joe Corroney has been illustrating Star Wars artwork for Disney and Lucasfilm and Star Trek artwork for CBS Studios since 1997. Other licenses, studios and professional publishers he has illustrated for include Stranger Things for Netflix, Marvel Comics’ Avengers, Spider-Man, X-Men, DC Comics, Green Lantern, Superman, The Jim Henson Company, Dolby Cinema, Indiana Jones, The Walking Dead, X-Files, Doctor Who, The Hobbit, The Lord of the Rings, True Blood, GI Joe, Farscape, Firefly, Heroes, The Phantom, Hasbro, Xbox, Sony Pictures, MTV, Random House Publishing/Del Rey Books, Simon & Schuster/Pocket Books, Becker & Mayer! Books, Topps, Titan Publishing, Boom! Studios, Wizards of the Coast, IDG Entertainment, Upper Deck, Rittenhouse Archives, Paizo Publishing, and White Wolf Publishing. Currently, he’s developing his creator owned comic book series, Death Avenger and continues to create new Star Wars artwork for Disney and Lucasfilm. He was also the instructor for the Comic Book Illustration and Digital Illustration courses at the Columbus College of Art and Design in Columbus, Ohio for ten years and has taught the Ohio State University’s Summer Comic Book Workshop. Joe runs a full-time illustration studio and can be commissioned or contracted for work. You can contact him at joe@joecorroney.com . — Bio courtesy JoeCorroney.com  (Original posting: May 11, 2004)

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Interview with Dave Prowse
(Original posting: June 01, 1998)

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“Hemorrhoids don’t concern me, Admiral…” That was something Dave Prowse said to me at a party after a sci-fi convention in the 1990s. He was telling me a story about how, on the set of The Empire Strikes Back, they couldn’t hear him very well as he spoke his lines inside the Darth Vader helmet. Everyone knew they would be dubbed later, so Dave thought he’d at least have a little fun with it and get a rise out of the cast and crew, replacing the word asteroids with something funnier. That should give you some insight as to the kind of guy Dave was.

I had the honor of giving Dave his very first website presence. He had put out the call to a few fans and somehow I ended up with the gig. From that day on, he treated me with the respect and dignity of a friend, and not just a person from whom he needed something. We spoke, interviewed, shared pictures, met at conventions, had dinners, and just talked and talked about everything. I met and became friends with his then manager Maxwell Patterson, who was also the loveliest of guys. We made a great little team. The site eventually moved on to someone a little closer to Dave in the UK and I was happy to hand them the keys. Dave thanked me over and over for the hard work and I never forgot it.

There will never be a more iconic moment for me in cinematic history than when Darth Vader first emerged through that smoky door in the original Star Wars film. If you’ve ever spoken to him, you know that he was also very proud of his roles in the Hammer horror films, A Clockwork Orange, and various other BBC shows, not to mention his bodybuilding career and his important role as the Green Cross Code Man, helping little kids cross the roads safely.

On November 28, 2020, Dave Prowse passed away. To him I say thank you for that villainous swagger and the ominous presence you brought to Darth Vader that’s been so important to all of us over the years. You will be missed.

(Original posting: June 01, 1998. This intro has been updated to account for Dave Prowse’s passing on November 28, 2020.)

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Dan Madsen

Interview with Dan Madsen
(Original Posting: July 18, 2006)

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Dan Madsen is a publicist/marketing/public relations at Independent consultant working with fan based media. He is the former Founder/President/Publisher at Fantastic Media and created/produced the global official fan clubs, magazines, and merchandise for the Official Star Trek and Star Wars entertainment franchises under license from Paramount Pictures and Lucasfilm Ltd. He’s a humble, friendly guy and even had a cameo in The Phantom Menace. Dan took a moment to answer a few of my questions about fandom. (Original Posting: July 18, 2006)

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Interview with Steve Perry
(Original posting: February 8, 1998)

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Steve Perry, author of Shadows of the Empire, was the first author to pen a Star Wars novel that took place between two original trilogy films: The Empire Strikes Back and Return of the Jedi. Most of the books that came out since Timothy Zahn’s Heir to the Empire in 1991 were set after the theatrical trilogy’s finale. Shadows of the Empire is a fantastic piece of work and accurately reflects the action, adventure, and excitement of the original trilogy. It was launched as part of a huge multimedia extravaganza including a CD soundtrack, video game, action figures and toys, comics, and more. Some aspects of the project were even referenced in the Star Wars: A New Hope Special Edition. Steve was kind enough to answer a few quick questions about his work. (Original posting: February 8, 1998)

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The Marvelization of Star Wars

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Love ’em or hate ’em (and just admit that you love ’em already), you have to admit that Disney knows how to run a company. They’re like the Google of the entertainment industry, which is odd to say out loud since they were around long before Google. Founded in the 1920’s, they’ve done nothing but dominate and grow in the fields of film, television, publishing, music, theme parks and more. When Robert Iger took over the helm in 2005, the company took even bigger steps to cement its place as a leader in entertainment by purchasing companies like Pixar ($7.4 billion in 2006), Marvel ($4.24 billion in 2007), and of course Lucasfilm ($4.06 billion in 2012). Read More

To Spoil Or Not To Spoil?

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In 1996, I started this site. The “Special Editions” were just gearing up and everything in the Star Wars Universe was fun and nostalgic. Then the Prequels were announced and everything went crazy. News started to leak out in all directions and Lucasfilm went bananas trying to plug all the holes, quite often just denying stuff and calling the Internet rumors “crazy.” Well, they weren’t so crazy and while a bunch were quite ridiculous, a LOT of them were on the money.

In my case, I didn’t quite expect to be in the “spoiler” game. It sort of just fell into my lap. There were many sites posting information on Episode I before it came out but there were only 3-5 reputable ones and without sounding too smug, I think this site was perhaps one of them. It’s up for debate but I did receive a LOT of information. I was sent tons of material and in the end almost all of it proved to be legit. In fact, just the other day I was going through some old boxes and found all my old printed materials and notes. The stuff I had was surprisingly accurate and was in my hands over a year before the film was released, if not earlier. I had shooting schedules, artwork, character descriptions, scene-by-scene summaries, and lots more. At the time, I couldn’t really be 100% sure what was real but when things started coming in from multiple and unrelated sources, it became easier to draw conclusions.

In any case, the site became wildly popular and the more popular it became, the more sources sent stuff to me and/or other sites. It was hard to not just blanket-post stuff. Lucasfilm was pretty tough and they were threatening the site here and there. They almost took my domain name once. They asked for things to be removed on a regular basis. We got past it all and the film came out and did amazingly well. So their worries that spoilers would kill ticket sales were unfounded. I always maintained that (spoilers or not) the fan sites did nothing but drum up even more anticipation for a film and gave the studio TONS of free promotion/advertisement.  If things leaked, it was really their fault, not mine. Don’t blame me for posting it. Go after the leak.

For Episode II, things changed a little. I moved the site around a bit. I was associated with sites like Fandom.com (now gone) and Cinescape magazine and things got a little more complicated. Sources were still keen to come to me (many were the same ones so it was easy to trust them) but the site was under a different banner and if I posted anything crazy or too “over the line” for Lucasfilm, the Lucas lawyers went right to the top of the food chain. Many times my posts were removed before I even knew what happened.

So after a while I went back to my own server and had some more freedom but after all the Episode I spoilers (most of which I was under the radar for) they knew who I was and were watching even closer now.  Cease and Desist e-mails were a regular thing.  I still got away with posting a lot of textual stuff (rearranging spoilerish material in my own words), plus lots of sketches and images, many of which had to be removed before I was shut down.

Again, the film came out and did well, but not as well as Episode I. However, I don’t attribute that to the fan sites. I attribute that to the horrible backlash that Episode I received. Some would argue that Jar Jar Binks alone was to blame. You can make that call.

I’ll be honest, I didn’t think I’d even be in the game for Episode III. I thought that all the sources had moved on and nothing much would come my way. I was very wrong. While the amount of stuff wasn’t as large in total, the stuff I was sent was VERY revealing. I remember one incident where I broke the news that Lucas himself was doing a cameo in the film. I had the name of his character (Baron Papanoida) AND a photo of him in costume. I posted this on the site and a bunch of other sites picked up on it. Within hours I was forced to remove it and got lots of nasty e-mails. Someone on the inside told me I was very close to being sued (not sure if that’s true) and shut down (probably true). I was told that Lucas himself found out about it and got pissed which was why it was such a big deal. Can you imagine the internal e-mails flying around Lucasfilm? Remember, no one knew about this cameo yet. Anyway, just about everything else I had was solid and with a few little hiccups turned out to be legit.

So I had a good run for the prequels and the site was VERY popular around that time. I was pretty happy but I’m guessing that Lucasfilm wasn’t too happy with me because when it came time for them to start including fan sites at their press junkets and so on, they never once asked me which was kind of cool in a way. Wear it like a badge and all that. Ironically, years before, I was one of the first ones out there saying that Lucasfilm should have included fan sites from the start instead of demonizing them. But that’s all over now. I don’t have any regrets and it was a fun ride. History is judging the prequels as lackluster in comparison to the originals and that has absolutely nothing to do with fan sites posting spoilers on the Internet.

So the next question is: What happens with this new trilogy?

Once again, I’m at an impasse. I really don’t think any of my old sources are still “in the game.” I have no expectations. I don’t think I’ll be receiving anything spoilerific about these new films.

But what if I do?

It’s a tough call. I’d want to share it but I also want to see if Lucasfilm is going to make good on a recent promise made by Kathleen Kennedy about the fans to “…recognize they’re important to the process and acknowledge there are things you’re gonna want to make sure they get to know. So I think that’s something we’re going to monitor, pay attention to and think differently about.”

She’s obviously referring to Internet leaks here which is something this site has been known for in the past. Am I still relevant enough to be included in their list of trusted fan sites? Are they just going to stick with the top dogs who play ball that they can easily control? Will they include fan sites at all in their marketing and press efforts?  Lucasfilm was always a little behind the curve on that. They ignored most fan sites right up until the end when they realized they couldn’t all be ignored.

Let’s be honest here for a minute. People (fans and otherwise) are not at all beaming about the Prequel trilogy, box office numbers aside. The general consensus seems to be that it’s a lackluster effort with wooden acting, horrible dialogue and was a bit of a missed opportunity to really go back and explain a few things. I have always maintained that Episode II should have been Episode I and Episode III should have been split out into II and III. Lucas wanted you to see little innocent Anakin  and his mommy but in the end, people weren’t interested in THAT much back story, much of which could have been done in flashbacks or something. But it’s not our baby – it’s George’s. Well… now it’s Disney’s but you know what I mean.

So while Lucasfilm will probably deny this for all time, Star Wars took a pretty big hit. Sure, they tried to over-saturate with cartoons and other stuff but as for the films themselves, people might have “liked” them but they’re not going to go down as timeless classics like the first three seem to have. No one’s going to be saying, “Oh that Jar Jar… so funny!” thirty years from now.

So yes, even with something like Star Wars, there’s a lot riding on these new films and a lot to potentially lose here. This new trilogy has to be up to snuff. If the first one doesn’t really blow people away, people are going to just move on and the brand will suffer. I think Lucasfilm should really reach out to the fans and fan sites and come up with a good marketing strategy that keeps the sites happy and less inclined to just reflexively post anything and everything that comes into our hands.

Here’s an example which will probably never happen, but should provide a little perspective. If Lucasfilm came to me today and said they wanted to include me in their marketing strategy for promoting the film by sending me some weekly updates, maybe a once-a-month super cool exclusive that no one else would get, and perhaps some way to get other access like an interview now and then or something, I might be willing to go that route for the duration and not just blanket post things sent to me that are probably spoiler -laden and would most definitely result in me being removed from any and all contact inside Lucasfilm, thereby blowing my good standing with them (which I don’t have anyway, based on prior history, I assume.)

Alternatively, I could just ignore all that and post whatever I wanted hoping to not be shut down or sued or whatever.

Will they do it? Will they extend the olive branch to some of the popular sites? I’m sure they’re going to work with a few of the bigger ones. Those are the sites that have full working staffs and LLC statuses. But what about the smaller guys who might not get 19,000,000,000 hits a day but have been pretty successful in the past and have a decent following? I guess we’ll see what they decide soon.

The film’s being written. The director’s on board. I’m sure casting has begun. Things are going to start leaking very soon.

Get ready!

 

***

What do you think? Leave some comments and let’s talk.

New Animated Series Announced: Star Wars Rebels

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When George Lucas decided to retire and sell Lucasfilm, everyone expected a few changes. New President, Kathleen Kennedy, faced many challenges and had to make some hard decisions. Under the oppressively huge shadow of the multimedia juggernaut known as Disney, it appeared that some of those decisions might have instead fallen into the demand rather than decision category.

Being that Disney already had well-established multimedia divisions in place, the decision to dismantle certain entities such as LucasArts seemed to be aimed at avoiding competition with oneself.  Disney’s interactive arm already develops games and software, among other things. Why have another internal company creating games? I know they’ve hired EA, but I’m sure they’ll develop some stuff internally. Something similar could be said for Lucasfilm’s animation division. The successful Clone Wars animated series was abruptly canceled which upset many fans and left some story arcs incomplete. Almost a whole season sits in limbo, waiting to find its way to fans. Will Disney buy and air the final episodes? Probably not. Will they go straight to DVD? Possibly. We’ll see. I never really watched the show but what I did see was pretty good.

The show aired on Cartoon Network, a direct competitor to Disney’s television stations, including Disney XD which is the home to many of Disney’s shows including Spider-Man and Avengers cartoons as well as other animated and live action programs.

So why cancel the show in the first place? No one really knows for sure but it probably revolved around money somehow. Perhaps Disney didn’t want to buy the show out or just didn’t want anything to do with something touched by the Time Warner-owned Cartoon Network.

In any case, we’re getting something else now: Star Wars Rebels.

Many a fan, including myself have wondered when Lucasfilm would venture into this nearly untouched period of time before Episode IV concerning the “Jedi Purge,” in fanboy speak. I didn’t think we’d get it in animated form but just because one medium is involved, doesn’t mean others won’t follow. Once new characters and scenarios are established, endless books, comics, and perhaps even films will be sure to follow.

Here’s an excerpt from the Starwars.com press release:

Production has begun on Star Wars Rebels, an exciting, all-new animated television series based on one of the greatest entertainment franchises of all time. Scheduled to premiere in fall 2014 as a one-hour special telecast on Disney Channel, it will be followed by a series on Disney XD channels around the world.

The action-filled series is set between the events of Episode III and IV — an era spanning almost two decades never-before explored on-screen. Star Wars Rebels takes place in a time where the Empire is securing its grip on the galaxy and hunting down the last of the Jedi Knights as a fledgling rebellion against the Empire is taking shape. Details about the show are a closely guarded secret at this point.

Source: Starwars.com 

Why Brad Bird Turned Down Episode VII

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In a recent interview, famed director Brad Bird opened up about being an early name mentioned as a possible candidate to direct Star Wars: Episode VII. He recently revealed that he was not ultimately interested in the job and that the schedule Lucasfilm had in mind was what turned him off of the highly-anticipated project.

He went on to say . . . .

“I’ve known (producer) Kathy Kennedy for a while and I know George Lucas. And they did come to me. But the problem was, the schedule they had in mind made it impossible to do…unless I dropped Tomorrowland. And I was just really deeply into this film at that point. It’s easy to say, ‘Just put it on hold.’ But you’re moving now; you don’t know if you’re going to be able to move later. Maybe it’s true of filmmakers like Cameron or Spielberg, but I have to act on momentum. We had reached a critical mass where it would’ve thrown the furniture around from the train stopping. I really want to see this movie. I love the Star Wars films, and I can’t wait to see what J.J. Abrams does, but it meant I’d have to shut down one dream to participate in another. I feel like with Tomorrowland we’re making something that’s really special and unique.”

Disney’s highly anticipated sequel trilogy blasts its way into theaters in 2015.

Source: Hollywood Reporter

Dave Filoni of “The Clone Wars” Post-cancellation Interview

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By now you have heard that the animated series “Star Wars: The Clone Wars” is not returning for a 6th season.  RebelForce Radio posted the first post-cancellation interview with the driving force behind “The Clone Wars”, Dave Filoni, in which he reveals that he is still very much involved in Lucasfilm Animation and will be involved in future Star Wars projects.

Filoni couldn’t say much about that future, but did give some interesting insight into the show that he just finished working on and the mysterious bonus footage that exists from the show.

“When you look at Ahsoka and you see the evolution of her character from season one to season five, and you see the change in her, and in the attitude, and the performance by Ashley (Eckstein), it really symbolizes the kind of change and evolution of the entire series”, says Filoni.

“I’ve seen some fans say, ‘is there going to be a proper ending?’, and I don’t quite understand what they mean by a proper ending…  the ending for her is that she has survived … and that there are more stories to tell.”

Whether you were a fan of the show or not, you have to respect the fact that 100+ episodes later, we have much greater insight into that time period and what was happening with many familiar characters including everyone’s favorite good guy/bad guy Anakin Skywalker.  And more Star Wars is on the way!

One more interesting little tidbit from the interview:  The cast and crew had a little wrap party meal at the local In & Out Burger.  Their order number… 66!

Dave Filoni has the receipt to prove it.

Make sure to check out the entire interview with Dave Filoni over in the RebelForceRadio.com podcast.

 
Here’s the Bonus Footage from IGN’s youtube channel.

 

~kknight – is a lifelong Star Wars fanatic that is incredibly excited to be working with T-bone.  Ahsoka, surprisingly really to me, will be missed.

Episode VII: The Original Dream Team Is (Probably) Returning

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In an article on Businessweek.com, George Lucas dropped the closest thing to confirmation that Mark Hamill, Harrison Ford, and Carrie Fisher will reprise their roles as Luke, Han, and Leia in Star Wars: Episode VII.

Here’s an excerpt:

Asked whether members of the original Star Wars cast will appear in Episode VII and if he called them before the deal closed to keep them informed, Lucas says, “We had already signed Mark and Carrie and Harrison—or we were pretty much in final stages of negotiation. So I called them to say, ‘Look, this is what’s going on.’ ” He pauses. “Maybe I’m not supposed to say that. I think they want to announce that with some big whoop-de-do, but we were negotiating with them.” Then he adds: “I won’t say whether the negotiations were successful or not.”

The rest of the article details the selling of Lucasfilm to Disney. It contains a lot of history you may already know, but it’s worth a read if anything to see how things operate behind closed doors at big companies.

It also talks about how Lucas was on the fence about whether or not to hand over his outlines for a sequel trilogy – outlines he has claimed many times never existed.

At first Lucas wouldn’t even turn over his rough sketches of the next three Star Wars films. When Disney executives asked to see them, he assured them they would be great and said they should just trust him. “Ultimately you have to say, ‘Look, I know what I’m doing. Buying my stories is part of what the deal is.’ I’ve worked at this for 40 years, and I’ve been pretty successful,” Lucas says. “I mean, I could have said, ‘Fine, well, I’ll just sell the company to somebody else.’ ”

Once Lucas got assurances from Disney in writing about the broad outlines of the deal, he agreed to turn over the treatments—but insisted they could only be read by Iger, Horn, and Kevin Mayer, Disney’s executive vice president for corporate strategy. “We promised,” says Iger. “We had to sign an agreement.”

When Iger finally got a look at the treatments, he was elated. “We thought from a storytelling perspective they had a lot of potential,” he says.

So, I’ll be the first to say it: Here’s where the fun begins!

 

The Original, Original Star Wars Trilogy on DVD
(Original Posting: May 23, 2006)

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* Some of the following editorial contains hearsay, heavy speculation, and rumor. This article is not meant to trash anyone’s name or state absolute facts. It’s merely an “educated opinion” piece. While some of the things below are indeed factual—mostly the technical bits—I won’t vouch for the authenticity of certain other parts. I have done my best to label the text clearly. Nothing has been fact-checked or confirmed with Lucasfilm. *
(Original Posting: May 23, 2006)


THEY’RE HERE…

Ever since the DVD format decided it was going to stick around for a while, people have been hounding the powers that be at Lucasfilm Ltd. to release the Star Wars Trilogy. At first, George Lucas was quite reluctant, willing only to re-release it on VHS “one last time” in order to, we assume, start prepping for DVD technology. Then, in 1997 Lucas released his Special Editions of the films which were marketed as his “definitive visions” of the classic trilogy. This was later debunked in a way, since he made even more changes down the road. It eventually got to the point where people started saying, “Enough, already.” The fact that Lucas continually tinkers with the films is no longer looked upon as an artist tweaking his much-valued piece of work, but as a joke and a new way to make money out of something old—or at least that’s how it’s been perceived by many long time fans.

Flashback with me to February 6th, 2003: George Lucas makes an announcement at an “ILM & Skywalker Sound Tribute” in California stating that the original, pre-Special Edition versions of the three original films will not be released on DVD at all – ever. We will get the Special Editions in all their newly enhanced glory as soon as Episode III is in the can and there’s time to perfect and release them. Of course, Lucas released the 2004 DVD set well before Episode III was in theaters, but some felt there were too many mistakes made in the process, resulting in the 1997 editions now being replaced. It wasn’t that the process used to clean and transfer the films was bad, it was just severely rushed and there didn’t seem to be a lot of QA done. This led to color correction problems/mistakes and all sorts of other issues. In short, fans were happy to have the set on DVD, but were not necessarily tickled pink—as Vader’s lightsaber ended up in the new transfers.

Flashback again with me to May 03, 2006: Starwars.com announces that the original trilogy DVDs in fact will be coming to DVD in September 2006, despite what Lucas said a few years earlier. It pains me to say it, but you can pretty much take anything Lucas says with a grain of salt these days. Always in motion is the future. Look back to all of his quotes on how many episodes there were supposed to be in Star Wars over the years and you’ll see what I mean.  I hate to add fuel to a fire that I believe has long gone out, but what about the possibility of Episodes 7, 8, and 9? Lucas had sworn up and down that these films would never happen and there were only six films in total from the get-go. Gary Kurtz has gone on record many times in disagreement—and he was there from the beginning. There was talk of things that happened after what would become Return of the Jedi, but they never made it to the concept stage and we can therefore surmise that they only exist in outline form. Yet, they did exist.

At first, there was elation after the DVD announcement article on Starwars.com. Everyone was jumping for joy looking at the headline in disbelief. Then they started to read a little deeper and the smiles flattened out, lips slightly pursed. There was some confusion, the details were vague, the sound bytes were carefully worded with just the right spin… something was amiss.

I noticed that Starwars.com changed their original post on the web site the day after the posting. They usually update at night some time and those updates then appear to be fresh to the morning crowd. Somewhere between May 3rd and May 4th, the following paragraph disappeared from the posting:

“See the title crawl to Star Wars before it was known as Episode IV; see the pioneering, if dated, motion control model work on the attack on the Death Star; groove to Lapti Nek or the Ewok Celebration song like you did when you were a kid; and yes, see Han Solo shoot first.”

Later the next day, however, the text reappeared. Perhaps they spoke too soon and one (or more) of the facts had changed? It was probably an innocent thing and not worth going on about. They still say that you’ll be able to see the films as they were seen in 1977, 1980, and 1983 and that would mean that the title A New Hope wouldn’t be there since it was actually added in 1981.

I actually knew about this a good week or two before the announcement was made. A friend of mine in the industry shared a few rumors with me about the decision to release this particular set at this particular time, so I’m openly labeling them as such. With that disclaimer firmly in place, I’ll continue.

MARCIA MARCIA MARCIA

What on Earth does George Lucas’s ex-wife Marcia Lucas have to do with any of this? When they divorced, George Lucas was quite wealthy and Lucasfilm was doing well. As with any divorce, there was the issue of how to split up the money. Without getting into details, it’s safe to assume that Marcia Lucas is compensated whenever the original Star Wars films are re-released or aired. I am told by a friend in the industry, however, that because the Special Editions are altered and therefore not the originals, Marcia either does not receive money, or she gets very little. I’m not 100% sure, of course.

Shifting into speculative territory, one could assume that some time in the late 1990s, when it was clear that VHS was on the way out, the stars aligned and George Lucas must have realized that if he made altered versions of the films and released them, he wouldn’t have to give Marcia as much money. Add to that the marketing value of re-releasing the original films with added/altered footage before releasing the prequels to keep Star Wars in the public eye and you’ve got a good plan.

One wonders if Lucas believed that the fans would love and unconditionally accept the Special Editions as superior, not caring if the old films were ever put back out again. When the “final” VHS set was released, containing the pre-special edition versions, it was marketed as the last time you could get the originals. Lucasfilm then said many times that the originals would never, ever be released on DVD… until now. So what changed? If the plan was to never release the originals on DVD because of Marcia’s profiting from them, then why did he finally agree to release them?

A friend of mine in the industry believes the answer may be this: If the original versions of the films are released as Bonus Features, then that would nullify most if not all monetary obligations to Marcia. I was told this was going to happen a while back and wrote it off, but then I saw a public ad that confirmed it. It read: “DVDs include special bonus material – the original theatrical movies from 1977, 1980, & 1983!” Then I was sent a sales ad distributed to retailers and other salespeople that read: “These are the DVDs fans have been demanding – Huge sales potential for new and core fans!”

Of course this could mean nothing at all, but it could also mean that Lucasfilm went to some effort to make sure Marcia Lucas didn’t get more Star Wars money.

LET’S TALK TRANSFER

Another thing I heard from my friend in the industry is that Lucasfilm is allegedly not going to use the original masters (film) for these transfers to DVD. It will instead be a straight video transfer—D2 tapes, we could assume. I was surprised and disappointed to learn this.

For the Special Edition work in the late 1990s, there was a complete restoration of the films done utilizing the original film masters which were cleaned up and had new material added. Before this, there was a previous transfer done for the “Definitive Edition” Laserdisc collection. This transfer used a kind of “automatic” cleaning process called DVNR or Digital Video Noise Reduction. While it looked great for 1993, some people felt that the set was over-enhanced a bit too much. Everyone who bought into the Laserdisc phenomenon was glad to have it, though.

What I’m trying to get at is that the older video transfer used to make the laserdiscs in 1993 is allegedly the master they’re going to use to make the new DVDs. To avoid confusion, the 2004 Special Editions included in these limited edition sets will be the same ones available now. I’m talking specifically about the original films added as bonus features. They are not re-transferring from film according to what I’m hearing. Let me say that again. Instead of using today’s industry standard and doing a film-to-anamorphic DVD transfer, these classic films in their original states are going to be transferred to DVD using an outdated video master and using outdated technology not up to today’s minimum standards for release with acceptable quality.

These masters from the laserdiscs, mind you, are in 4×3 ratio, letterboxed. This means they’re formatted for your television. In this format, you should see black bars at the top and bottom of the screen and the movie is essentially using half of the frame, or 200 lines on the screen. This would make it virtually equivalent to VHS quality. By comparison, on an anamorphically transferred DVD, the film uses roughly 75-85% of the frame so there’s considerably higher quality involved. Real widescreen of today’s standards is in 16×9 anamorphic (almost all video transfers today are anamorphic) but to give the original films the best quality, you’d have to go back to the actual films and re-transfer them so they look right.

There are mainly two ways to do video transfers these days: the old and the new. The old way is to transfer a film from 2.35:1 aspect ratio to 4×3 with some black at the top and the bottom to make the film retain its 2.35:1 aspect in the middle of that 4×3 screen. At some point, people realized that this black space was really just a waste so the new way of transferring video was born: anamorphic. What happens during the anamorphic transfer process is that the film is transferred in a “squeezed” state so that more of the image is actually in the video frame. Then, on a 16:9 screen, the squeezed frame is stretched back out to fill it all up resulting in more picture information and higher quality.

Creating an anamorphic transfer from the 4×3 laserdisc master is really just blowing up some scan lines without enhancing the image at all. It’s just a fancy form of “zooming in.” So, if the rumors I’m hearing are true, and Lucasfilm does the transfer the old way, the best they can do is take the 4×3 video transfers, blow them up to 16×9, and hope they look good enough. You wouldn’t gain any quality, however. The result would be a sub-standard DVD product, which I feel is a poor choice for these classic films. They might not even take this step, though. They could just do a straight transfer from 4×3 letterbox master to 4×3 letterbox DVD and call it a day.

Basically what I’m saying here is: in order to do it right, you need to do a completely new transfer but for some reason, probably budget related, Lucasfilm appears to not want to do this. These original films are probably not a priority to Lucas and he’s spent enough time and money on restoring them already. The only real reason not to do a new transfer, in my opinion, would be if the company simply couldn’t afford it, but certainly Lucasfilm has a few extra bucks to spare. I’m not sure of the actual costs, but it can’t be unaffordable. We’re not talking millions here. So a multi-million dollar company is going to forego this process because it’s cheaper to use the old Laserdisc masters? In order for me to have these versions I now have to repurchase the set I already own. They’re going to be transferred from a substandard master, which is most definitely not state of the art. They’re going to look and sound inferior to even the crappiest of crappy films that comes out today on DVD. I can’t get too excited, especially since I already own at least 3 sets of bootlegs, most likely made from the laserdisc versions anyhow. I mean, even the trailers for the Star Wars films located on the 4th bonus disc of the 2004 set are in 16:9 anamorphic.

In my opinion, the whole thing reeks of sloppiness, laziness, and quick-and-dirty marketing to capitalize on sales for what’s probably going to be a really slow holiday season for the Star Wars brand since we’re “in between” movies.  I’m glad to have them, but I’m disappointed with the way they’ll be represented on screen. It seems they’re choosing the “quick and easy path” when they should really just bite the bullet and go for quality. The old way of releasing 4×3 letterboxed transfers has been dead for a while now. When DVDs first came out, it was acceptable, but now there are other options. We are guaranteed unacceptable quality for today’s standards.

Lucasfilm’s Jim Ward publicly admitted that the original films’ quality on video will not compare to that of the 2004 restored versions. “It is state of the art, as of 1993, and that’s not as good as state of the art 2006,” he told the USA TODAY. George Lucas himself then went public to MTV.com saying this: “It’s just the original versions, as they were. We didn’t do anything to it at all. But we’re not sure how many people want that. Now we’ll find out whether they really wanted the original or whether they wanted the improved versions. It’ll all come out in the end.”

So the question is: Will Lucasfilm actually create new anamorphic transfers of the original versions at some point in the future and market those to us too? Will they finally do it the right way? Well, if the whole (alleged) Marcia thing can be resolved somehow, then perhaps. However, it just feels like we’re being set up for another “double-dip” situation in order to make sure we buy these films again and again and again.

WHAT’S THE DAMAGE?

The May 3, 2006 article at Starwars.com is pretty vague. It doesn’t mention price, although the sales ad I mentioned gives an S.R.P. (Suggested Retail Price) of $29.98 each with an M.A.P. (Minimum Advertised Price) of $19.95. Sales will be in effect I’m sure, but what this means is that fans like me are going to have to dish out approximately another $60-$90 to buy these films again. Something tells me this won’t be the last time we’ll be buying them either. More limited runs? Perhaps. New formats? On the way. 3-D versions? They’re coming to theaters eventually, so will DVDs follow in 3-D? Will he tinker more and more for each version, essentially “forcing” you to buy them all if you want all the changes?

From a certain point of view, they really screwed up this whole DVD thing. I thought Star Wars was always supposed to be on the cutting edge of technology and pushing the envelope, but it took them a long time to release Episode I, even though Episodes II and III had a “normal” release schedule. They put out what some feel is a substandard Original Trilogy set that was rushed without proper care and quality assurance, not to mention the lame packaging. Then they released the same 2004 set with better cover art but without the bonus disc. Now they’re re-releasing the same 2004 set again but with the unaltered original versions as bonus features in a substandard format. When will they finally start treating these original versions of the films with the respect they deserve?

So we’re back to waiting for something we’ll probably never get, at least not any time soon: a high quality anamorphic DVD transfer with a nice 5.1 surround sound mix. Instead we’re getting what’s probably going to amount to a nice laserdisc transfer with Dolby 2.0 sound. There’s probably some kooky reason for all this but what it is, I’m not 100% sure—though I can speculate…

Lucas had already sunk a ton of money into reworking the Star Wars films between 1996 and 2004, regardless of how well you feel that money was spent. I mean, I still see the matte boxes around the TIE fighters in many of the scenes and it drives me nuts. They spent all that time jerking around with Greedo, but no one cleaned up the effects that were screaming “Clean me!” like the finger-written text you see on a very dirty car. Lucas was pretty dead set against releasing those original films. Speculatively, he could have just been trying to keep more money out of Marcia’s pockets. That said, one thing Lucas is probably not going to do is throw more money into the original versions of the films, especially if Marcia stands to benefit from them. So it looks to me like everyone came up with a way to make all the parties happy. They’ll stick the originals out there as bonus features for this limited run and market them as, “Buy the Star Wars films on DVD now and as a special bonus, see the films the way they were originally released in theaters!”

WHY NOW?

Why release this now? I have a few speculative reasons.

1. There’s nothing to sell this holiday season with a Star Wars logo on it. The Episode III hype is over and the prequels have been released. There isn’t much else out there film-wise they can release to get those coveted 4th quarter sales, so here we are with a marketing blitz that’s starting in May, will run slowly through the summer, pick up steam in September and then climax in December with ads screaming about the “limited time offer” and what not. This release fills a void. They could always release the 1978 Holiday Special, but Lucas has said he hates it and it’ll never happen. Then again, what Lucas says and what Lucas does are sometimes two separate things.

2. It helps to stop bootleggers. Recently, Lucasfilm has become quite vocal in the fight against piracy. The digital age has made piracy a lot easier and Lucasfilm has taken a beating, missing out on all that money that he (and Marcia!) could have been making with the original versions of the films. People wanted them so bad they were willing to resort to bootlegs, mostly made from the laserdisc transfers. I own about 3 sets of them myself.

3. It quiets the fans. Star Wars fans, like any other collection of people, are a diverse group. They can be very cool, insanely demanding, fickle, or highly unforgiving at times. They are a smart bunch, so it’s best to never underestimate them. If you give them something substandard, they’re going to complain about it and not just guzzle it down. The varied commentary about this DVD release is evidence of this. Everyone was immediately all over the map on whether or not this release was good or bad or somewhere in between. Their attitudes stem from years of learning how to wait patiently for things and having to buy different versions of the same films. Star Wars fans are patient but that patience can wear thin at times, especially when the end result doesn’t prove itself worthy. So in Lucasfilm’s eyes, this will sate some fan appetites, but will it spark a different debate over quality?

FINAL THOUGHTS

In the end, I don’t know what to think. I’ll give you my honest opinion as a fan and you can take it or leave it. All that stuff up there about Marcia Lucas doesn’t bother me. I sure hope that Lucas doesn’t make all of his artistic decisions based on money, but my sources tell me that this stuff about Marcia has some truth to it.

A transfer from the laserdisc masters to DVD might look better than the laserdiscs that came out in 1993, but it still doesn’t give us a quality product worthy of watching in 2006. As a fan, all I’ve ever wanted on DVD was the original versions of the films with a really clean and spectacular transfer, along with the good state of the art audio mix it deserves. You can “clean” all you want, just don’t alter the scenes. For example, remove the garbage matte lines from the dogfight scenes but don’t alter the actual shots. Don’t drop in new shots of CG ships (or anything else for that matter.) Scrub, clean, wipe it dry and transfer it over. Don’t go overboard with color correction; just make the old films look nice and clean and give them the authentic love they deserve.

So like many fans, I’m happy and ticked off all at the same time. I’m glad that they’re doing this but something in my gut tells me that it’s for all the wrong reasons and really has little to do with making the fans happy since they’ve been asking for this for years now. I think that the general public will sort of shy away from this release since many already have the current box set. Sadly, many of them don’t even know anything’s different. Then again, ignorance is bliss sometimes. Of course, I could be wrong about all this, but where there’s smoke there’s fire, I always say. Having heard a few things about the goings on at Lucasfilm, I see smoke, and occasionally some mirrors.

Let’s hope for the best, though, shall we? Something tells me that the best is yet to come. 2007 brings us to the 30th anniversary of the release of the original Star Wars. You can bet your bottom dollar (literally) that the marketing machine is already thinking about what they’re going to do then. Then again in 2010, and again in 2013…


UPDATE

Since so many fans have written in, it appears that Lucasfilm’s publicity department has drafted a sterile form letter to send to certain disappointed fans. Here’s what they said:I wanted you to know how much we appreciate the passion and enthusiasm you have for Star Wars, and thank you for sharing your concerns about our upcoming DVD release.

The DVDs being released in September will contain two versions of Star Wars: Episodes IV, V and VI – the Special Editions (which represent George’s vision of the movies) and the first versions, which will be included as bonus material. We hoped that releasing those “original” movies on a bonus disc would be a way to have some additional fun with the debut of the movies as individual DVDs. We certainly did not want it to become a source of concern or frustration for any of our fans.

As you may know, an enormous amount of effort was put into digitally restoring the negatives for the Special Editions. In one scene alone, nearly 1 million pieces of dirt had to be removed, and the Special Editions were created through a frame-by-frame digital restoration. The negatives of the movies were permanently altered for the creation of the Special Editions, and existing prints of the first versions are in poor condition.

So many fans have requested the original movies, we wanted to find a way to bring them to you. But since these movies do not represent George’s artistic vision, we could not put the extraordinary time and resources into this project as we did with the Special Editions. The 1993 Laserdisc masters represented the best source for providing the original versions as DVD bonus material. Although these are non-anamorphic versions, they do preserve the original widescreen composition of the movies.

We want you to be aware that we have no plans – now or in the future – to restore the earlier versions.

We hope you will understand our decision and, again, want to let you know how much we appreciate your interest and enthusiasm.

Sincerely,
Lynne Hale
publicity@lucasfilm.com


(Original Posting: May 23, 2006)

Book Review: Droidmaker

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There are countless books out there about George Lucas and his rise from film school know-it-all to cultural icon, and even more books about how Lucasfilm came to be and how it changed the world of filmmaking. I’ve read a good number of these books and then stopped reading them because they seemed to paint the same picture with a slightly different brush. All the main points were there and while some of the small details were different, something was always missing from these books. I could never quite figure out what it was, but they left me with more questions than answers more times than not. I think it might have been the fact that they focused so much on Lucas himself and that all the bit players who made things happen never got the recognition they deserved. Their importance cannot be understated. Without each and every Lucasfilm employee, especially in the early days, the company would not be where it is today. Read More